Download 50 Things to Do with a Book (Now That Reading Is Dead) by Bruce McCall PDF

By Bruce McCall

Examining might be lifeless, yet books are alive and well

What stable are books, you can be puzzling over, if we're not likely to learn them? What are we even doing during this bookshop? to not fear! It seems that there are thousands of activities with those chunky stacks of certain tree pulp. enjoyable, fascinating, adventurous, artistic issues. in truth, this usual oblong item abruptly bargains sufficient stunning new interactive chances to, certain, fill a publication. This e-book. From re-creating international wonders to settling marital disputes, interesting dinner visitors to channeling your internal undercover agent, listed below are fifty splendidly zany activities with your whole favourite books.

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Extra info for 50 Things to Do with a Book (Now That Reading Is Dead)

Sample text

Linguists, finally, have tended to focus on the formal characteristics of the humorous text: what distinguishes jokes and other funny texts from serious ones? (Raskin 1985; Attardo 1994, 2001, 2008) In this book, I want to look at humor primarily as a social phenomenon: a form of communication that is embedded in social relationships. For this reason I have also chosen a working definition of humor in which the social aspect is prominent: I see humor as the successful exchange of joking and laughter.

What are the consequences of such differences in humor style? In order to answer these questions I conducted interviews, I did a survey of humor styles, and I collected a large number of jokes. The research on which this book is based was carried out mostly in the Netherlands. The final chapter presents the results of a similar, smaller study in the United States. In the Netherlands, I spoke extensively to seventy Dutch people about jokes and humor. First, I talked to thirty-four joke lovers: people who knew and told a lot of jokes.

In this book, Bourdieu shows that aesthetic preference, and therefore taste, is strongly connected to social class (among other background characteristics). Not only the art forms people appreciate, but also what they prefer to eat, how they furnish their houses, and what they prefer to photograph, is related to their class position. Taste is not just a way to (unconsciously) distinguish oneself from others, it also reveals one’s social worth. The preferences of the upper middle classes are socially more valued than working-class or lower middle-class people.

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